Instead, we are left with various glances and stares and the forever uncomfortable sense that we ’re missing out on something. There are films that feel the need to over explain but here, there ’s so much more that could be said.
Though the gothic elements of the story are compelling, the characters and even the plot at times come across as frustratingly under – written. The death takes place at sea, hanging over the rest of the story, creating a sense of foreboding that leads to us anticipating another incident at sea. The death that occurs at the start of the film really sets the tone, rather than Brian unexpectedly returning home. Water, the sea, and waves can be terrifying on their own and this feeling of terror never leaves the screen, even in moments of so-called happiness. The remoteness of the town, the ominous score and the fact that water is an ever – present in the character’s lives. The gothic nature of the story involving family secrets, the quiet thriller – like tone, and asking some serious questions about how far you would go for family. But both pleasingly and annoyingly the film subverts th ose expectations in various ways. With A24 picking the film up, God’s Creatures already is awarded a de facto stamp of approval that comes with a certain level of expectation. S he is left deciding whether she has done the right thing and living with the consequences. This lie rips apart the family, their friends and even the community. After the initial joy at his return, Aileen soon finds herself lying for her son. Their world is shaken by the return of their wayward son Brian, who left years before and has barely kept contact.
In a small fishing town, Aileen (Emily Watson) spends her days at the canary and evenings at the local pub, and the time in between with her family. However, this doesn’t quite prepare you for the underplayed story of evil deeds and doubt. Directors Saela Davis and Anna Rose Holmer have carefully constructed their gothic tale to make you feel on edge from the opening sequence. They send strange chills down your spine as the water ebbs and flows, especially in open water. Stories set by the sea, in remote close-knit communities, with the right score, always create an automatic ominous atmosphere.
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